El Petróleo al por mayor de China que no Pinta Mínimo
|
|
|
|
|
|
|
1505 (completed 1508) Engraving, 110 x 86 mm Metropolitan Museum of Art, New York The last work before D?rer's sudden departure on a second trip to Venice in order to escape the Great Plague. This engraving was probably almost complete because the date 1505 had already been engraved in the plate. It was subsequently corrected to read 1508. The background is deliberately reduced in scale for sake of contrast and any indication of a landscape is omitted. D?rer in this engraving sought to combine the monumentality of The Large Horse with the elegance of The Small Horse. Pictured from behind, this unusual stance effectively conveys a feeling of pause before the saintly warrior forges ahead to further defend the Faith. It was also used in the Ober St. Veit Altarpiece, which was completed in D?rer's workshop during his absence in Italy.Artist:D?RER, Albrecht Title: St George on Horseback Painted in 1501-1550 , German - - graphics : religious |
|
|
|
CONTACTE EEUU
China de Xiamen el Petróleo al por mayor que Pinta la Barra de Soga Marco al por mayor que Moldea el Espejo Pinturas Estiradas Encuadradas |
|